Laura Caraballo ( born in Buenos Aires) is a curator, researcher, and teacher that currently lives in Paris. In Argentina, she first acquired a solid training in the history of visual arts. She joined the Chair of History of Media and Contemporary Communication Systems in UNLP, and spent four years teaching visual communication and cultural industries. Pursuing her research on comics and its visual qualities, she defended her Ph.D. thesis in Esthetics on Alberto Breccia’s visual work in comics, at the Paris Ouest University in 2016. She transposed her research work into exhibition format when she co-curated three Alberto Breccia original boards exhibitions in BD Colomiers festival, Pulp Festival, France, and in the CNB in Buenos Aires. In the contemporary art field, she co-curated the collective exhibition “Briser la glace” at Le Magasin CNAP in Grenoble. Always interested in confluences of comics and contemporary art, she currently works on trans-feminist activism and self-publishing in Argentina. She is an associated researcher and teacher in the Angoulême EESI and postdoctoral researcher in Bordeaux Montaigne University.
Argentina
Un Faulduo (Argentina)
Un Faulduo is an Argentine art collective exploring and experimenting around comics. Born in 2005, the group is formed by Nicolás Daniluk, Ezequiel García, Nicolás Moguilevsky and Nicolás Zukerfeld. Alongside an interdisciplinary path that includes visual arts, film, music, comics, performance and literature, the group carried out exhibitions and performances in art spaces of Argentina and Europe. Un Faulduo is, also, the name of a magazine published by the group, which has released eleven numbers. Each issue is led by a different member of the staff, forcing changes in format, content and technique. Un Faulduo published the book La historieta en el (Faulduo) mundo moderno (Tren en Movimiento, Argentina, 2015; Ed. Marmotilla, Spain, 2018), inspired by Oscar Masotta’s essay La historieta en el mundo moderno (1970). Nowadays, the group is developing the project “From now on: El Eternauta”, which re-writes and intervenes the mythical #201 of “Gente” magazine, where El Eternauta (written by Héctor G. Oesterheld and drawn by Alberto Breccia) was published for the first time in 1969.